Simon Cross is a community and spiritual activist, theologian, and interfaith facilitator. He speaks about spirituality and progressive approaches to Christianity, and has published on the phenomenon of New Monasticism, and Nature Connection in the Christian tradition.
Welcome to Chronicles March 2019
This is my monthly newsletter which gives an glimpse of some of the things I’m up to, as well as one or two of the things that have absorbed my attention over the last few weeks.
IN THIS EDITION…
The Wheels Fell Off ● Sympathy for the Devil? ● House Conferences ●
Throwback: Mint Royale – On the Ropes ● Tax collectors and toll collectors
The Wheels Fell Off
It seems to me that most people go through a time when they find themselves trapped in a cage of certainties. Its often a cage of their own making, probably first put together as a kind of scaffolding, to support them through difficult times.
This is true of religious or spiritual people, just as its true of others who have constructed a supportive network of ideas of any other sort that help them through life. The trouble comes when these ideas become restrictive, unable to adapt to or move with the changing circumstances, or experiences of life.
This is what happened to Charles Wesley, one of the founders of Methodism, and the writer of a hymn which in my house became known as ‘the bicycle song’. You can find his story here, you might find it’s your story too.
Sympathy for the Devil?
I started writing my weekday meditations as a Lent project last year. I enjoyed the project so much I continued it through the year, and at Christmas I did my first ‘special series’ which I called ‘Alternative Advent’.
That went pretty well, so I’m doing another special series for Lent 2019, which I’m calling ‘Sympathy for the Devil?’
Ultimately Lent has a lot to do with the Devil, but he remains a deeply confused figure: The Satan of the Old Testament is one of God’s court, the Satan of the New Testament, meanwhile is a different figure, and the Devil of 21st century Christianity owes at least as much to John Milton as he does to the Bible. So my weekday meditations throughout Lent will be taking a closer look at this idea, and asking, ultimately, if we might begin to have sympathy for the Devil.
“House conferences” are my small way of trying to reinvent the whole idea of what a conference should look like. Of course there’s a place for large scale conferences held in big rooms, but I tend to think that often the best learning takes place in small intimate environments, like someone’s lounge. That’s why I’m booking house conferences throughout the year, and across the UK.
The first house conference of 2019 takes place in March, it’s a special conference for a group of people who are keen to deepen their spirituality, and to think about their rhythm of life. I’m really looking forward to it.
House conferences are definitely the ‘way forward’ as far as I am concerned: informal, experiential, personal, they give the opportunity to develop relationship and to get to grips with some deep learning, while also having a comfortable chair. Get in touch if you want to think about booking one.
Throwback: Mint Royale – On the Ropes
A disc that’s been getting a few spins this past month has been this classic from Mint Royale. On the Ropes was Mint Royale’s debut in 1999, and it captures a lot of the big-beat bounce that was around at the time.
Perhaps Mint Royale’s most enduring contribution to the pop music canon was their later remix of ‘Singing in the Rain’, but On the Ropes has some classic tracks that are still worth revisiting.
Fans of Lauren Laverne, the current 6Music Breakfast Show host will know her as the lead singer in punk popsters Kenickie, but she actually scored her biggest hit with the Mint Royale track ‘Don’t falter’, which is probably the stand out track on the album, although it has less of the overt turn of the century optimism (despite it’s upbeat lyrics). Anyway, well worth checking out in whatever way you tend to listen to music these days.
Tax collectors and toll collectors
There are lots of ways to read the Bible, and the way one approaches it depends very much on what preconceptions one holds. An academic approach favours a rational, critical reading, which I find helpful and enlightening at times. From this perspective, there are many questions about the texts, including concerning the authorship. Who actually wrote the gospel books for instance? Those of us interested in the role of social class within Christianity may have particular questions about the ‘class’ of the writers. The New Testament contains some pretty sophisticated literature, Matthew’s gospel for instance has a complex series of literary references to Hebrew scriptures, and for various complicated reasons was clearly written by someone schooled in Greek literature, but from a Jewish background.
The author of Matthew must have been a well educated person capable of reading and writing in a complex manner. For those who assume that Jesus’ disciples were the authors of the gospels which bear their names, this clashes with the characterisation by some of Jesus’ disciples as lower class peasants, who were much less likely to be able to write sophisticated texts.
One argument that is sometimes made against this is Matthew’s designation as ‘tax collector’ which some see as a job which would have meant he was educated and relatively wealthy. This well written article addresses this question, taking a look at the words which designate the sort of tax collectors that Matthew and Zaccheus were, for instance. Written as a conference paper, it’s very readable, and worth a look.