In his feature length film ‘Hosea’, writer director Ryan Daniel Dobson adapts the ancient story of Hosea, an axial age Jewish prophet, for the twenty first century. The original story is one of destruction and redemption, and this new take follows a similar path, but with added complexities. Crucially, rather than foreground the ‘usual’ principal character, Dobson has placed at the centre of his story the complex and meaning-laden existence of Cate a woman whose story is intended to parallel that of Gomer in the original.

Where the book of Hosea is more interested in the prophet than his troubled wife, this film is really Cate’s story rather than that of her husband. Replete with stark and disturbing themes of abuse, exploitation, self harm, addiction, and intimate partner violence, Hosea as a film and Cate as a character hold up a cracked mirror to contemporary society. Pleasingly, Dobson deliberately pulls back from offering the usual easy answers that one might expect in this sort of story, without allowing spoilers into the review I can still say that even the ending defies the conventional narrative expectations.

Cate, played by Camille Rowe, is sensitively cast and played, with some strong supporting actors in Josh Pence (particularly good) and Avi Nash among others. Her strength and fragility are at the core of the story. There is always the danger in a film like this of ending up in cliche territory at least once or twice, but my feeling was that Dobson’s script steered clear of this. There’s perhaps only the vaguest hint of polemic in his writing, although some messages come through clearly – particularly around mental illness and exploitation. The intent though seems to be to spark discussion rather than offer predigested answers, and there’s a lot to draw upon in the film: issues of religion and culture, sex and intimacy, substance abuse and mental health all spring readily to mind. Beyond that though the story explores what it really means to reconstruct, and what it means to be damaged (and indeed to damage). It asks us why we are so desperate to save things in a particular way, what is it that gives us the right and the privilege to tell others how their lives should be lived.

Hosea – the film – is really a parable, a story which lends itself to considerable amounts of unpacking and discussion. It’s a religious story for a post secular world, which turns a gentle but unflinching eye back toward the viewer.

Due to the themes and content, it’s rated 18+, and it does contain triggers and scenes which some viewers may find disturbing. Recommended.

Image result for #meetooA recent article doing the rounds concerning the sexualised nature of the the violence Jesus experienced at his crucifixion, the controversy surrounding the gender identity of the first Gentile convert to Christianity, and a brief reminder of the possible implications of Mark 14:51, have reminded me of one of the most obvious pointers towards progressive sexual politics in the Gospels. The #MeToo women in Jesus’ genealogy.

Generally speaking ancient genealogies don’t include women, they are a tool of patriarchy. But something interesting occurs in the genealogy of Jesus found in the New Testament book of Matthew.

There are five women in “Matthew’s” genealogy of Jesus: Tamar, Rahab, Ruth, Bathsheba and Mary. Of these, four were definitely what we might now consider to have been sexually exploited.

Tamar, was a widow in a very precarious social and economic condition (no status or inheritance and in danger of remaining unmarried) and at the mercy of her father in law, Judah. The patriarch was reluctant to let his third son Shelah marry his twice widowed daughter in law (She’d already been done out of conception by her second husband the now infamous ‘Onan’). Without any other obvious means of survival, Tamar tricks her father in law into impregnating her by posing as a prostitute.  The self-righteous Judah at first condemns Tamar, but when he realises that he is publicly on the hook for her condition relents and acknowledges his paternity. One might say that Tamar is hardly a ‘victim’, she was clever enough to trap Judah after all, but she lived at a time when women were little more than property, what choice did she really have? (Matthew 1:3, Genesis 38)

Rahab “the harlot,” who assisted with Joshua’s invasion of the promised-land. Rahab was a ‘genuine’ prostitute, a foreigner living in Jericho, a woman who used what little she had to try and get by. I don’t imagine she grew up looking forward to a life of selling sexual services in order to survive, but she had a family to care for, and she was certainly keen to escape from Jericho when she eventually got the chance. Needless to say the male Hebrew spies took advantage of her ‘hospitality’ when visiting the city. (Matthew. 1:5, Joshua 2)

Then there’s Ruth, another gentile and another widow, who was desperate to find a way to survive. Her route to survival was to effectively seduce her future husband (Rahab’s son), Boaz. When Boaz woke up to discover Ruth in his bed, he covered her with his blanket and eventually proceeded to do the honorable thing by marrying her, but not before uttering some tell tale phrases: “Stay here for the night” and “No one must know…” (Matthew 1:5, Ruth 3).

Then there’s the woman who is not even named in her own right: “Uriah’s Wife” aka Bathsheba, the victim of sexual assault or coercion by King David who then arranged for the death of her husband. There’s a weirdly distorted view of the power dynamic in the day to day reading of this story, poor old King David, just lost control of himself when he ‘saw’ her bathing on another roof,and then ‘they committed adultery’, as if she were complicit. Yeah right. In reality the most powerful man in the country saw a woman having a bath, summoned her to his house, had sex with her and got her pregnant, and then killed her husband. Then we victim blamed.  (Matthew 1:6, II Samuel 11).

The final woman in Jesus’ genealogy is his mother Mary, a young woman, probably only a girl by our standards who was betrothed (not yet married) when she found herself pregnant. What message we are supposed to extract from her inclusion in this #MeToo list, one can only speculate on. For whatever reason, Jesus often found himself referred to as ‘Mary’s son’ – in a patriarchal society there’s something odd about that…

 

Starting on Easter Monday (2nd April 2018) my new ‘Email Meditations’ series. Weekdays only, maximum of three paragraphs each day, on some sort of thought provoking topic. Sign up here (it’s free) if you fancy coming on the journey with me.